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PW Standard Celluloid Pick, Blue Pearl, Extra Heavy (25)
the ultimate arranging course for today's music. Covers and includes melody writing, instrumental ranges, solutions to harmonic situations, breakdowns of contemporary styles, sample scores with recorded examples, how to write harmony to make a small group sound big, working procedures and an Encyclopedia of voicing's.
This collection, 'Mon Livre' (My Book) features a detailed biography recalling the various steps of Escoudé's life, transcriptions showing his compositions, arrangements and interpretations, a variety of photographs, practical basic exercises practised by Christian Escoudé himself, and a complete discography. The 22 transcriptions in standard no...
the 'Concierto Ibérico' for four guitars and orchestra was composed in 1976 and premiered the following year in Vancouver by Los Romero guitar quartet, to whom it is dedicated. The quartet made the first recording of the work with The Academy of Saint Martin in the Fields conducted by Neville Marriner, in 1980 on the Philips label.
This book solves one of the greatest problems in jazz...the knowledge and use of chords. It is a complete guide to three- and four- string guitar chords. Every application is covered, including passing chords and altered chords. All of the most logical, practical and applicable chord voicings are presented. In standard notation with chord symbols.
For two guitars. Includes separate guitar parts. Titles are 'Air on the G String', 'Jesy, We Behold Thy Name', 'Jesu, Joy of Man's Desiring', 'Siciliano', 'Sleepers, Awake', 'Echo', 'Minuet I, II & Gigue', 'We Thank You, God We Thank You', 'Prelude & Fuga IX', 'Prelude & Fuga VI'.
Much has been written about Federico Garcia Lorca (born on 5 June, 1898, in Fuente Vaqueros, Granada; executed on 19 August, 1936, in Viznar, Granada) and his early passion for music. Of great importance to him were the folk songs, which influenced him even as a small child because they came to him directly from the 'common folk': the maids and ...
Have you ever wondered how guitarists like Joe Pass, Wes Montgomery and Jim Hall find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. JAZZ GUITAR VOICINGS: THE DROP 2 BOOK by veteran guitarist Randy Vincent explains exactly how you can get that s...
Intermediate-advanced level. Presents 16 solos carefully written and edited to build technique. Ideal for solo performances and recitals, this volume contains works by Carcassi, Sanz, J.S. Bach, Sor, Tarrega, Coste, Diabelli, and Aguado. All solos are written in notation and tablature.