Johann Sebastian
BACH
(1685-1750)

It was Francisco Tárrega, composer and guitarist, who first transcribed Bach's music for his own instrument, offering colour, tonal variety and clarity in an exploration of counterpoint. Tristan Manoukian's transcription of the Partita No. 2 honours the precedent in its virtuosic and expressive writing. It is possible that the Suite and the Prelude, Fugue and Allegro were originally conceived for the so-called "lute-harpsichord", a keyboard strung with gut that sounded like a lute. Bach's version of Vivaldi's Violin Concerto transforms and refashions it, and the guitar transcription is perfectly suited to convey the richness of its invention. Prizewinning guitarist Judicaël Perroy is one of the most exciting talents to have emerged in years.

Partita No. 2 in C minor, BWV826 26:06
(Arr. Tristan Manoukian)
Sinfonia 5:51
Allemande 6:59
Courante 2:51
Sarabande 4:43
Rondeaux 1:40
Capriccio 3:55
Suite, BWV997 23:11
(Arr. Tilman Hoppstock)
Prelude 3:26
Fugue 7:22
Sarabande 6:51
Gigue 5:27

Prelude, Fugue and Allegro, BWV998 11:36
(Arr. Tilman Hoppstock)
Prelude 3:12
Fugue 5:33
Allegro 2:50
Concerto in D major (after Vivaldi), BWV972 9:54
(Arr. Judicaël Perroy)
I. (Allegro) 2:37
II. (Larghetto) 4:41
III. (Allegro) 2:31

Judicaël Perroy, Guitar